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Dance in India has its origins in antiquity and continues in both classical and modern styles into the present. The presentation of Indian dance styles in film, Bollywood has exposed the range of dance in India to a global audience.
India offers a number of classical Indian dance forms, each of which can be traced to different parts of the country. Each form represents the culture and ethos of a particular region or a group of people. The eight main styles are Bharatanatyam, Kathak, Odissi, Kuchipudi, Mohiniattam, Manipuri, Sattriya and Kathakali. Besides, there are several forms of Indian folk dances such as Bhangra, and special dances observed in regional festivals. Dance in early Bollywood films, was primarily modelled on classical Indian dance styles and particularly those of historic northern Indian courtesans (tawaif), or folk dances. Let's discuss more on indian dance.
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Most of the present day Gurus themselves have been Gotipua dancers, and in their turn passed on the dance form to dancers and teachers all over India and abroad. From the precincts of the village temple to the metropolitan theatre is quite some distance. Odissi has successfully and meaningfully spanned it.
the continuity of the dance form with an awareness and enriched consciousness, not by merely repeating what is handed down to them, but by creating and offering an aesthetic experience that carries the dance to greater heights. It is through the performers and teachers that the art draws its sustenance and continuity. Their number is ever increasing.
It was Priyambada Mohanty who represented Orissa in the classical dance category at an Inter University Youth Festival. Dr Charles Fabri hailed Odissi as a great dance form. He helped Indrani Rehman study the dance form and the initial credit for bringing Odissi to the international scene goes to this great dancer.In recent years a number of institutions and individuals in India and abroad are imparting training in this dance form. On the whole sexpulsating, having crossed the national frontiers it has become part of the international scene.
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Many South Asian DJs, especially in America, have mixed Bhangra music with house, reggae, and hip-hop to add a different flavor to Bhangra. These remixes continued to gain popularity as the nineties came to an end.
Post-Bhangra continues to gain popularity in both the UK and US. As mentioned above, artists such as Bally Sagoo offer what was referred to as "Bollywood remixes". This is just one result of the fusion the traditional Bhangra beats and South Asian instruments with that of other contemporary music genres. Other lesser popular offshoots include "Bhangramuffin" and Acid Bhangra. Bhangramuffin mixes traditional Bhangra backgrounds are combined with Ragga; one famous band from this genre is Apache IndianHot 'n Spicy at London's Limelight nightclub and Manchester's Shankeys Soap). Although much of the popularity was centered around South Asian participation, post-Bhangra expressed a "process of musical cultural hybridization and syncretism that moved beyond a straightforward juxtaposition of dance music genres.While these notions of racial and cultural essentialism can produce national pride and a finite sense of identity, they can also be highly detrimental to society at large. Since essentialism claims that people can be categorized according to some definite essence, it often leads to civil disputes and factionalism and places social boundaries between different groups of people, preventing cultural diffusion. Post-bhangra has been described as a tool for strategic identity politics, presenting itself as a medium for protest against colonialism and racism. By raising awareness to problems of racism within Asian contexts, post-bhangra ventures to model movements created by organizations that have engendered a sense of unique identity for their constituents, such as the Nation of Islam and the Black Panther Party. Furthermore, it allows for the expression of frustration related to racial tension that has been blanketed by social apathy. The formation of this new sense of Asian identity has been a leading proponent of post-bhangra, providing Asian youth with a feeling of belonging despite having to struggle to identify with a new culture that is not confined to the cultural norms of their roots nor completely assimilated with any existing culture .Therefore, post-Bhangra is an important musical form both because it defies essentialism by mixing and clashing seemingly incommensurbale sounds and cultures and because it provides Asian youth in the UK with a vehicle for self-expression as part of a musical scene with which they would otherwise be discoruaged from associating.
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The eight main styles are[citation needed] Bharatanatyam, Kathak, Odissi, Kuchipudi, Mohiniattam, Manipuri, Sattriya and Kathakali. Besides, there are several forms of Indian folk dances such as Bhangra, and special dances observed in regional festivals.
Most Indian dance is based on the treatise Natyashastra by the sage Bharata Muni, which explains the Indian art of acting. Acting or natya is a broad concept which encompasses both drama and dance.
Its theory can be traced back to the Natya Shastra of Bharata Muni (400 BC). The Sangeet Natak Akademi currently confers classical status on eight "dance" forms:[citation needed]
Bharatanatyam
Kathak
Kathakali
Kuchipudi
Manipuri
Mohiniaattam
Odissi
Sattriya
Admin
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The eight main styles are[citation needed] Bharatanatyam, Kathak, Odissi, Kuchipudi, Mohiniattam, Manipuri, Sattriya and Kathakali. Besides, there are several forms of Indian folk dances such as Bhangra, and special dances observed in regional festivals.
Most Indian dance is based on the treatise Natyashastra by the sage Bharata Muni, which explains the Indian art of acting. Acting or natya is a broad concept which encompasses both drama and dance.
Its theory can be traced back to the Natya Shastra of Bharata Muni (400 BC). The Sangeet Natak Akademi currently confers classical status on eight "dance" forms:[citation needed]
Bharatanatyam
Kathak
Kathakali
Kuchipudi
Manipuri
Mohiniaattam
Odissi
Sattriya
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